. Manuèle Bernardi

Manuèle Bernardi, was born in 1959 in Saint-Tropez.

After studies to the Academy Roederer and to Beaux-Arts de Paris, she becomes a decorator and a

wardrobe master then an illustrator, before choosing to express herself by the painting and nally,

the sculpture. She lives and works in Roussillon.

This plastic artist explores the feminine re...

Manuèle Bernardi, was born in 1959 in Saint-Tropez.

After studies to the Academy Roederer and to Beaux-Arts de Paris, she becomes a decorator and a

wardrobe master then an illustrator, before choosing to express herself by the painting and nally,

the sculpture. She lives and works in Roussillon.

This plastic artist explores the feminine representation in what she has of links
in her ecosystem. She makes perceptible invisible emotion of two beings which connect,

the alchemy of a group which moves towards a common destination. Her sculptures, Callipygia,

in feet anchored well in the reality, rise unconditionally towards the other one, the waves pass.

In her installations, of which the fragile material , of paper and wax, is strengthened by invisible

threads, Manuèle studies the ora and fauna as the source of an inspiration for a common life

where the link makes rampart, sets up itself as protective shield of a materialistic everyday life.

If the installations of Manuèle Bernardi have a high poetic density, they contain in their heart a

disturbing fragility. Attached to nylon threads, these little things icker happily on themselves,

unaware of their meaning. Individually they are only the traces of a past life, of a manslaughter,

together they reform a quivering ecosystem that seeks to protect its center. A new constellation

around a visible or concealed star that brings back a form of life. e allegory does not stop there,

Manuèle protects her installations of a sheet of transparent plexiglass which is reminiscent of the

ozone layer. 

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