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> Artists>. Fernando Suarez Reguera
. Fernando Suarez Reguera
Born in Oviedo, Spain, 1966.
Leaves and works in Madrid Spain
 
Fernando Suarez is an enormously versatile sculptor. His training, his mastery of
the environment, and his untiring creative capacity, allow him to travel on many different
paths of creativity, although these paths may share similar challenges. He works
preferably with iron and b...
Born in Oviedo, Spain, 1966.
Leaves and works in Madrid Spain
 
Fernando Suarez is an enormously versatile sculptor. His training, his mastery of
the environment, and his untiring creative capacity, allow him to travel on many different
paths of creativity, although these paths may share similar challenges. He works
preferably with iron and bronze, but it is surprising the multiple resources he uses
to diversify its production. From utilizing materials like resin for example, to manipulating
the multiplying effects of mirrors, or to exploit all the options offered by the Spatial
occupation, with a singular obsession for movement and weightlessness.
He is primarily interested in the human body, and is capable of deepening both
his psychic surroundings with the most varied formal solutions. He uses a model
of a strong man, strong muscular complexion, pushed to the most unsuspecting limits.
Active, restless, tried-and-tested man who must overcome, who jumps,
climbs, runs, fights, or maintains balance, in a continuous game of equilibrium. Fernando
Suarez possesses an unusual mastery of capturing the rhythm, the gesture, the
precise moment to freeze an image in time while studying its dynamic potential. He
creates a special man, whose muscles are shaped with metal blades and rods, and
therefore is also a hybrid machine, often immersed in suggestive futuristic poses. But
he also studies the individual as a creator, as inventor of vehicles and gadgets, or as a
being that transforms his environment. This involves bridges, architecture, and unique
buildings from exotic settings evoking distant environments, or blocks of flats under
construction or destroyed by fire, urban agglomerations, or the ironic circulatory chaos
shown in an absurd and endless circle.
All are constructive and structural, sometimes very complex, that allows him to explore
new and rich possibilities utilizing plastic.
 
- Moises Bazar
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