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. Fernando Suarez Reguera

Born in Oviedo, Spain, 1966.

Leaves and works in Madrid Spain

 

Fernando Suarez is an enormously versatile sculptor. His training, his mastery of 

the environment, and his untiring creative capacity, allow him to travel on many different 

paths of creativity, although these paths may share similar challenges. He works 

preferably with iron and b...

Born in Oviedo, Spain, 1966.

Leaves and works in Madrid Spain

 

Fernando Suarez is an enormously versatile sculptor. His training, his mastery of 

the environment, and his untiring creative capacity, allow him to travel on many different 

paths of creativity, although these paths may share similar challenges. He works 

preferably with iron and bronze, but it is surprising the multiple resources he uses 

to diversify its production. From utilizing materials like resin for example, to manipulating 

the multiplying effects of mirrors, or to exploit all the options offered by the Spatial

occupation, with a singular obsession for movement and weightlessness.

He is primarily interested in the human body, and is capable of deepening both 

his psychic surroundings with the most varied formal solutions. He uses a model 

of a strong man, strong muscular complexion, pushed to the most unsuspecting limits. 

Active, restless, tried-and-tested man who must overcome, who jumps,

climbs, runs, fights, or maintains balance, in a continuous game of equilibrium. Fernando 

Suarez possesses an unusual mastery of capturing the rhythm, the gesture, the 

precise moment to freeze an image in time while studying its dynamic potential. He 

creates a special man, whose muscles are shaped with metal blades and rods, and 

therefore is also a hybrid machine, often immersed in suggestive futuristic poses. But 

he also studies the individual as a creator, as inventor of vehicles and gadgets, or as a 

being that transforms his environment. This involves bridges, architecture, and unique 

buildings from exotic settings evoking distant environments, or blocks of flats under 

construction or destroyed by fire, urban agglomerations, or the ironic circulatory chaos 

shown in an absurd and endless circle.

All are constructive and structural, sometimes very complex, that allows him to explore 

new and rich possibilities utilizing plastic.

 

- Moises Bazar

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