Manuèle Bernardi, was born in 1959 in Saint-Tropez.
After studies to the Academy Roederer and to Beaux-Arts de Paris, she becomes a decorator and a
wardrobe master then an illustrator, before choosing to express herself by the painting and nally,
the sculpture. She lives and works in Roussillon.
This plastic artist explores the feminine representation in what she has of links
in her ecosystem. She makes perceptible invisible emotion of two beings which connect,
the alchemy of a group which moves towards a common destination. Her sculptures, Callipygia,
in feet anchored well in the reality, rise unconditionally towards the other one, the waves pass.
In her installations, of which the fragile material , of paper and wax, is strengthened by invisible
threads, Manuèle studies the ora and fauna as the source of an inspiration for a common life
where the link makes rampart, sets up itself as protective shield of a materialistic everyday life.
If the installations of Manuèle Bernardi have a high poetic density, they contain in their heart a
disturbing fragility. Attached to nylon threads, these little things icker happily on themselves,
unaware of their meaning. Individually they are only the traces of a past life, of a manslaughter,
together they reform a quivering ecosystem that seeks to protect its center. A new constellation
around a visible or concealed star that brings back a form of life. e allegory does not stop there,
Manuèle protects her installations of a sheet of transparent plexiglass which is reminiscent of the
Benjamin Bichard was born in Nice, France, in 1982. He’s graduated from the famous Villa Arson in 2010.
After his studies he lived few years in Paris and was selected by the 57th Montrouge Salon for the young
creation where he was discovered by Geraldine Banier gallery. In 2014 he came back to his native city,
He still lives and works at Nice today.
He has chosen everyday objects, assimilated to our consumption, to realize them into new forms by
accumulation, assembly, twisting and cutting. His modular objects reveal the aesthetic power of
these invisible actors of our everyday life.
Photographer, Film Maker and Publicist. Born in 1978 at Seclin, France .
Leaves and works in Paris
The Work of Nicolas Demeersman, often debated, gathers pictures where col- lide the genres :
the elegance and the trash, the seriousness and the absurd, the reality and the fiction ...
Considering that it is as well important to please as to displease, he approaches contemporary
subjects to deceive values, aprioris and visual codes. Beyond the esthetics, he stages «the agreed»
pushed in its extreme, wishing to question us about our positions and their internal logic.
Born in Dakar, Senegal (1984). He leaves and works between Aulnay and Auxerre.
Through his painting Mouhamoudou Moustapha Diop makes the walls speak. We find them covered
with cement, torn posters, painting. They are a means of communication, a silent lung that inspires
urbanity and expires the imprint of the past.
The artist erects these walls using cement pigments on canvas, paper or polystyrene, he experiences them.
Playing with their symbolic. At once a rocky expression of a primitive society, they are also the representation
of the boundary between private and public, the demarcation between the obstacle and freedom.
Moustapha Diop is also known for his video work, which was presented at the Goethe Institute in Dakar and at
the Dak’art Biennale in 2018.
Frédéric Garnier was born in 1970 in Troyes.
All his really protean creations stage our questioning on the human existence.
Its beginning and its term. Its meaning. What we name collectively « After «.
Then what survives us is born, takes place in memoirs, « tracks of life ».
Visual artist, he expresses himself through numerous mediums: sculpture, installation,
photo, video and drawings. His reflections concentrate on the object, which makes link between
the human being and the world. By using materials of our time (foil blanket, cement, plexiglasse),
it anchors its works in our period. They crystallize questionings in the intimate and universal echos.
Self made man since 1970
Liposucting School Of Fat
King Size Institute Of Technology
In 2003 David is called out by a scientific study realized in the United States which proves that when we see in a regular way persons in overweight, we increase by 40 % the risk of finding oneself in overweight. We would thus become obese by «habitus».
Shocked by these societal conclusions, David begins a work of reflection on the overweithness by «contamination». He begins to paint big women in a style which he will name«sausage». He questions by this the society which rejects the difference and would move towards a «standard by contamination».
These big women soon invade the urban space, in a procession of positions inspired by the mythical scenes of the cinematographic art or of the art as such
Then David turns to objects symptoms and causes of these excesses, the permanent «king size». Today, the «Fat virus» of David takes the shape of objects sewn by hand with vinyl fabrics, contaminating the references of the consumer society, those who are brought to disappear gobbled up by the modernization and those who bury us by their omnipresence.
Benjamin Grivot was born in 1994 in Dijon (France). He lives and works in Dijon.
He graduated from EMA Fructidor (204) and Ensa Dijon (2016). Emerging artist,
he exhibited in group exhibitions in the United States
and France in Galleries and institutions (Consortium of Dijon). His work revolves
around the relationship between visual arts and music.
His different experiments are built around the subject matter of objects,
to their learning at first glance. He uses his materials as a support for
sliding between two universes.
Hörl has become famous with large installations in Berlin and Munich, among others, and will now realize a spectacular project of his "Art in the public environment" in the city of Nuremberg where he teaches as a professor at the Academy of Fine Arts since 1997.Using about 7000 plastic replicas of Dürer's hare Hörl will transpose the central square in the old town of Nuremberg into a large green corridor of 2500 m². For two weeks, the Nuremberg Main Market will become a "Large Piece of Hare" in honor of Albrecht Dürer before breaking up in its individual components and so to speak merge into the population.
Duplication, the idea of serial production, and large numbers are the center of Hörl's projects. His art intends to inspire communication and to include as many people as possible. Dissolving of the large piece of hare into individual components is part of the concept. After two weeks, one may take a piece of hare home against a nominal charge. The hares move from a public to a personal environment. "I want to reach out with my work, set an impulse and let people take their Dürer home to allow individual, undogmatic altercation."
Lago Lino was born in Spain in 1973, he’s graduated from the Compultense University of Madrid, he lives and works in Lithuania.
From the beginning of his studies, Lino Lago questions the place of the work of art in the contemporary world, and more particularly that of painting. Often by the absurd, he saw the canvases of Masters; always with humor, disfigures them by great tasks thrown at the chance of his gesture. Jubilatory act. He plays with classical references, exploring through them, the relationship to art. His recognized work is present in several institutional and private collections.
Michel Laubu, creator and artistic director of Turak since 1985, and Emili Hufnagel, co- director of the
company since 15 years.
Michel Laubu presents his theater in France and abroad ( Indonésie, Russie, Syrie, Norvège...). He was
artisartner at Volcan, national stage of Havre, at Bateau Feu, national stage of Dunkerque, at Subsistances
in Lyon...In short terms, he brings in France and abroad this strange theater, poetic and visual. The company has
just its birthday of 30 years in 2015.
Emili Hufnagel, accomplice of Michel Laubu, co-writes the projects with him. She is also a comedian in
all the shows of Turak.
Turak in few words
Turak, is a Theater of Objects and Puppet company, that develops a visual theater «all ground compatible»
fed by diverted objects, by old or imaginary mythologies, by languages in multiple and invented accents.
Known for its research work around the object, Turak mixes the puppet forms, the gestural theater and the
plastic exploration. This tinkered poetry could be situated in the crossroads of the dance, the gestural theater
and the plastic arts.
The artistic approach of Turak lays on a game with the used object. Imaginary past, born from «the used of the object»,
memory and marks of an invented civilization, it is from this fictitious archaeology that shows and exhibitions are created.
The shows written and staged by Michel Laubu thus address a very wide public. Every image having several levels
of reading, the doors of access are not lacking. It is a writing in strata, with « theater in all the floors».
Laurence Le Constant was born in 1976 on Reunion Island. After obtaining
a degree in fashion design, she began art studies specialized in textile design
and then developed skills as an embroiderer, weaver and feather-worker.
The ancestral gestures were patiently passed on to her in the workshop. She
ater chose a course combining visual arts at the Sorbonne with classes at the
School of the Chambre Syndicale de la Couture Parisienne, which sealed her
desire to master the creation of the most sophisticated materials, together
with the fundamental questions of visual art.
From 2000, she gained experience in prestigious haute couture workshops as
Chanel, Dior, Emmanuel Ungaro, Prada, etc. In 2010 she decided to devote
herself entirely to her own work and finally allowed herself to show a body of
work that was just waiting to be seen.
She has participated in several group exhibitions in Paris, Tokyo, Osaka, Dallas
and San Francisco. The work MICHELINE (from the series MY LOVELY BONES)
joined the permanent collection of the Dallas Museum of Art in 2012.
A noteworthy selection of her Vanitas (from the MY LOVELY BONES series)
was shown at the Art Paris Art Fair in March 2014 and March 2015.
From May to the end of June 2014, the Geraldine Banier Gallery devoted a
solo exhibition to her work: “HER GARDEN”.
2015 was marked by a series of collaborations with Massaro (Chanel’s custom-made
shoes department). They gave rise to SUKI, EVE, DAPHNE and Mademoiselle IVES.
The alchemy that developed between the artist, the bootmaker of the Rue de la Paix
and the watchmaker Roger Dubuis resulted in the creation of the ultra-limited edition
watch: VELVET GRETA in 2016.
Represented for eight years by the gallery, and now shown in numerous woldwide collections.
It’s after graphology and morphology studies that Sylvie chose to turn towards the artistic creation.
Fascinated by the strength of the body language she tries and catches its essence. She soon chose
the bronze to represent these «postures» she likes : Attitude, Cool, Malice, Libertine. She plays with
the material from which she removes all the gravity by building aerial and slender feminine lines.
From this pure line are also born some fantastic animals, svelte elephants, proud and fragile horses
and zebus with an undeniable elegance.